FILM FESTIVAL
Two Strangers Trying Not to Kill Each Other by Manon Ouimet & Jacob Perlmutter is travelling the world!
Friday July 12 is the Irish premiere of the film, at the Galway Film Fleadh - more info here: https://www.galwayfilmfleadh.com/.../two-strangers.../
And Sunday July 14 is the New Zealand premiere, at the DocEdge Film Festival - more info here: https://docedge.nz/.../two-strangers-trying-not-to-kill.../
We are so proud of this wonderful film and of this wonderful couple, Maggie and Joel :)
Two Final Cut for Real productions have been selected for this year’s MakeDox film festival: Patrimonium and Dreaming Murakami.
This year Denmark has been chosen as the “country in focus” for the festival. As MakeDox explain on their Instagram, the Danish focus is meant as a way to “cool down in the hot Skopje evenings”. At Final Cut for Real we are thrilled that two of our movies are being represented there.
Starting today the 14th MakeDox festival is taking place in Skopje, North Macedonia. MakeDox is a platform of creativity and documentary films, and their weeklong festival is showing a broad selection of exactly that.
On Saturday evening Carl Olsson’s 2019 Patrimonium will be shown at the festival. The movie examines time by questioning the borders between history and modern world.
The second of our movies selected, Nitesh Anjaan’s 2017 Dreaming Murakami, will be shown on Monday evening. It explores the world of Japanese author Haruki Murakami through the life and works of translator Mette Holm. Anjaan is going to Skopje to experience the festival himself.
You can read more about The MakeDox Festival on their website. We look forward to following the festival from Denmark.
Festival news: We are so proud to announce that ‘Dreaming Arizona’ by Jon Bang Carlsen will have its world premiere at IDFA, where it has been selected for the main competition!
‘Dreaming Arizona’ takes place in a small town called Winslow. At the town’s high school, we meet five teenagers, each with their own dream of the future. Like all teenagers around the world, they are in a transition where they have to shape their own lives, find a way out of childhood and create a new identity as adults. Their desire for freedom is strong, and there are consequences when parents, society or their own conscience restrict it. Film director, Jon Bang Carlsen, examines the teenagers’ basic need to stage their own lives as the documentary imperceptibly seeps into fiction. Together with the main characters, the director has created some imaginary life paths and thereby our teenagers comment on their own situation, the audiences’ anticipations and the director's vision.
The film is produced by Heidi Elise Christensen and Signe Byrge Sørensen.
Click here to see the full festival program.
This years DOCNYC is right around the corner, and we are happy to announce that we have ‘A House Made Of Splinters’ and ‘The Killing Of A Journalist’ screening at the festival.
The Killing of a Journalist is directed by Matt Sarnecki and produced by Signe Byrge Sørensen, editing is by Janus Billeskov Jansen, and music by Kristian Eidness. The film is co-produced with GotFat Productions in Aarhus, Denmark, and Frame Films in Czech Republic, with support from the West Danish Film Fund and Czech Film Fund. The Killing of a Journalist premiered at HotDocs 2022, screened at Karlovy Vary Int FF, and recently won the TRUTH DOX award at DokuFest.
A House Made of Splinters is directed by Simon Lereng Wilmont, and produced by Monica Hellström, edited by Michael Aaglund, sound design by Heikki Kossi, Pietu Korhorhonen, Peter Albrectsen & Sune Kaarsberg, music by Uno Helmersson. The film is co-produced by Story in Sweden, Donkey Hotel in Finland, Moon Man in Ukraine and MDR in collaboration with Arte (GER/FR), with support from The Danish Film Institute, Danish Film Directors, The Swedish Film Institute, The Finnish Film Institute, AVEK, Nordic Film & Tv Fond & Creative Europe: TV Programming. A House Made of Splinters premiered at Sundance 2022, winning the Best Directing Award, and went on to also receive the Dragon Award for Best Nordic Documentary at Gothenburg Film Festival as well as the Politiken:DOX Award at CPH:DOX and two awards at Thessaloniki IFF.
See the full program for DOCNYC here
We are happy to announce that Matt Sarnecki’s 'The Killing Of A Journalist' will be screened at Zurich Film Festival and is one out of 14 films in ZFF’s Documentary strand for a Golden Eye.
‘The Killing Of A Journalist’ explores the brutal murder of a young Slovakian investigative journalist and his fiancée. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues which includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges and law enforcement officials. A reckoning awaits.
The film is directed by Matt Sarnecki and produced by Signe Byrge Sørensen, editing is by Janus Billeskov Jansen, and music by Kristian Eidness. The film is co-produced with GotFat Productions in Aarhus, Denmark, and Frame Films in Czech Republic, with support from the West Danish Film Fund and Czech Film Fund. The Killing of a Journalist premiered at HotDocs 2022, screened at Karlovy Vary Int FF, and recently won the TRUTH DOX award at DokuFest.
Click here to see the rest of the films in the documentary competition
It is our great pleasure to announce that we have four films screening at the HotDocs film festival, all of which will be part of the Nordic Bridges programme. These include: “A House Made of Splinters” directed by Simon Lereng Wilmont; “The Killing of a Journalist” directed by Matt Sarnecki; “Our Memory Belongs to Us” directed by Rami Farah; and “Outside” directed by Olha Zhurba. You can read more about each of them, including tickets and streaming info, below:
‘A House Made of Splinters,’ directed by Simon Lereng Wilmont and produced by Monica Hellström, follows three children at a temporary shelter, as war-torn Ukraine leaves devastating and enduring marks on the population. Through the eyes of kids, the film depicts a personal, tender, and simultaneously tragic and hopeful story about lives in limbo. Gorgeous, patient camerawork respects the children's vulnerability but expertly detects the unmistakable normalisation of violence in their desperate play, temporary friendships and fragile family connections.
‘The Killing of a Journalist’, directed by Matt Sarnecki and produced by Signe Byrge Sørensen, explores the brutal murder of the Slovakian investigative journalist Ján Kuciak and his fiancée Martina Kušnírova. Their deaths inspire the biggest protests in Slovakia since the fall of communism. When prosecution efforts turn up honey-pot schemes, paid assassins and dubious political appointees instead of delivering justice, democracy itself may not survive in one of the European Union's most jaw-dropping corruption scandals
“Our Memory Belongs to Us” directed by Syrian filmmaker Rami Farah and produced by Signe Byrge Sørensen, Liana Saleh and Anne Köhncke, reunites citizen journalists Yadan, Odai and Rani in an empty theatre to watch smuggled footage on the big screen nearly 10 years after the beginning of the Syrian revolution. Together, they revisit the events, people and places that changed the trajectory of their lives. How does one survive - by forgetting or by remembering? Building to a shattering crescendo, this collective memory exercise provides a corrective history and chronology for the revolution that was reframed as a civil war by a dictator who preferred to displace over six million people rather than be deposed — and is confirmation that people must tell their own stories.
“Outside” directed by Olha Zhurba, produced by Darya Bassell and Viktoria Khomenko for Moon Man and co-produced by Anne Köhncke and Monica Hellström for Final Cut for Real, follows 13-year old Roma, an abandoned street kid adopted by random soldiers in Kyiv’s Independence Square during Ukraine’s Maidan Uprising. But when the media and military encampments cleared out, he was again discarded, this time to an orphanage. At 18, with just a knife and a lighter in his pocket, can he possibly take control of his life? Security footage, heartbreaking phone calls and chance meetings populate this expertly layered study of a lost soul who belongs to no one and has nowhere to go.
The Nordic Bridges programme is a year-long initiative led by Toronto’s Harbourfront Centre fostering cultural exchange between the Nordic Region and Canada. Working with partners across Canada, Nordic Bridges presents multidisciplinary contemporary art, culture and ideas throughout the year.
To read more about the HotDocs film festival, online streaming or how to secure a ticket, click here.
The HotDocs film festival is just around the corner, and we are happy to announce that we have two films selected for the main competition this year.
‘The Killing of a Journalist,’ directed by Matt Sarnecki and produced by Signe Byrge Sørensen, will have its world premiere on May 1st 2022. The film explores the brutal murder of a young Slovakian investigative journalist and his fiancée. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues which includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges and law enforcement officials. A reckoning awaits.
Also screening in the main competition is ‘Outside’, directed by Olha Zhurba, and produced by Darya Bassell and Viktoria Khomenko for Moon Man. Anne Köhncke and Monica Hellström have co-produced for Final Cut for Real. In ‘Outside’, Roma, a 13-year old street kid neglected by his family and the state, becomes a poster boy for the Ukrainian Revolution in 2014. His story traverses the years he spent on the streets of revolutionary Kyiv and after his release from the orphanage, left to face the outside world with nothing. As Roma sets out to build an adult life, it seems that his future has already been decided. Through a series of phone calls with the film’s director he reflects on one main question: can you ever escape your childhood?
Outside had its world premiere at CPH:DOX in March, where it was selected for the main competition.
Hot Docs was founded in 1993 by the Documentary Organization of Canada, a national association of independent documentary filmmakers and continues to be one of the most prestigious documentary film festivals, always focusing on promoting excellence in documentary production. Each year, Hot Docs presents over 200 cutting edge films from around the world.
To read more about the HotDocs 2022 programme click here.
This week, the awards for the 18th edition of Millenium Docs Against Gravity, Poland’s largest film event, were handed out and we are extremely grateful that Flee, by Jonas Poher Rasmussen, received 3 awards, the Grand Prix Millennium Award, Best Film on Psychology and the Lower Silesia Grand Prix, and that the directors of Songs of Repression, Marianne Hougen-Moraga and Estephan Wagner, received the Amnesty International Poland Award.
The jury statements for the awards were as follows:
Flee - Grand Prix Millenium Award 2021
“Our unanimous winner is „Flee” by Jonas Poher Rasmussen. This film speaks about a real, extremely important subject in an artistically powerful, compelling, and complex way. The original form, the sincerity of the main character, the lack of sentimentality and its strong emotional content make it not only an attractive movie for the wider audience, but also an important statement about the real situation of today’s refugees, helping us to understand their destiny and choices and evoking deep empathy. Far beyond the usual limits of documentary storytelling, this powerful film speaks about the importance of being allowed to live in truth.”
Flee - The “Zwierciadło” Magazine Award for the Best Film on Psychology 2021
“There are many reasons why „Flee” deserves an award. Now this dramatic story resound sin a particularly shocking context, with the Taliban regaining full power in Afghanistan. We decided to select this film mainly because of its excellent portrayal of the birth of shame: being ashamed of who you are. The protagonist begins this story as a regular kid running around the yards of Kabul with his Walkman--and then suddenly the old Kabul is gone and he begins running away, goes into hiding, pretends to be someone else. Shame is not an innate emotion--it's acquired, born of how others treat us. Flee forces us to consider whether we could be these "others" too.”
Flee - The Lower Silesia Grand Prix, 2021
The film which receives the Lower Silesia Grand Prix is also a reflection of the most topical matters and the message which we noticed in many of the competition masterpieces. We are awarding the documentary we have chosen for high sensitivity and evocative nature of the narrative, oscillating on a broad emotional scale, its psychological aspect, taking up a tough subject in a remarkable way and last but not least – for not allowing us to lose hope.
It is also a film which shows the great broadness of documentary. At the same time, it is a universal tale about human memory and trauma. This masterpiece builds bridges and provides a way for a wider audience to understand the issues which polarize every day. The film is “Flee” by Jonas Poher Rasmussen.
Songs of Repression - The Amnesty International Poland Award 2021
“For its important lesson about the complexities of social mechanisms governing the world, the darkness in the depths of human nature, and the vagaries of our psyche, imparted through the tale of a small community. The directors employed simple formal means to capture universal truths about mechanisms of control, dependence, evil, manipulation, and the consequences of violent upbringing (as well as upbringing for violence) in their story of a seemingly Utopian, isolated German community in Chile. The ease with which evil takes over individuals and entangles societies is as terrifying as the permanence of its influence. This film doesn’t limit itself to portraying the community—it goes further, delving into the consequences of living alongside evil and depicting the complexity of the reality we live in. The tale of the German community in Chile becomes a mirror of human history—one that’s worth looking into ourselves.”
‘FORGET ME NOT’ NOMINATED FOR BOTH THE ROBERT AND THE BODIL PRIZE
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