VENICE

'SONGS OF SLOW BURNING EARTH WORLD PREMIERING AT VENICE FILM FESTIVAL by Maria Kristensen

We are immensely proud that Olha Zhurba’s profoundly strong and moving documentary film Songs of Slow Burning Earth will have its World Premiere at this year’s Venice Int. Film Festival.

The film is a series of reflective observations of Ukraine in wartime, interwoven with eye-witness accounts to contemplate the ultimate tragedy: the normalisation of war.

‘Songs of Slow Burning Earth’ is produced by Darya Bassel for the Ukrainian production company Moon Man, and is co-produced by Anne Köhncke for Final Cut for Real and Kerstin Übelacker for We Have A Plan.

This is the second film we are coproducing with Olha following Outside from 2022, and in Songs of Slow Burning Earth is continuing her beautiul collaboration with editor Michael Aaglund and editing consultant Niels Pagh Andersen.

Click here to read more about the Venice Film Festival 2024.

HUSH VR IN COMPETITION AT THE VENICE FILM FESTIVAL by Maria Kristensen

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We are thrilled to announce that the VR piece Hush, directed by Vibeke Bryld, has been selected for this year’s VR competition at the Venice Film Festival.

This year the VR section will be entirely online, meaning that industry professionals and accredited guests can access the VR selection from home, via an innovative digital platform supported by HTC VIVEPORT, Facebook’s Oculus, VRChat and VRrOOm - instead of the physical installations for the world class exhibition the festival usually hosts on an island in Venice during the festival.

The Venice VR Expanded platform will also be accessible in different locations around the world, thanks to the availability of different institutions which have joined the Satellite venues network program. The list of Satellite locations will be announced shortly.

Hush is joined by two other Danish projects in the official competition section: The Hangman at Home by Uri & Michelle Kranot (Late Love Productions) and Smagen af Sult/The Taste of Hunger by Christoffer Boe & David Adler (Makropol).

The piece is produced by Maria Kristensen for Final Cut for Real in collaboration with CG supervisor and animator Lars Hemmingsen Nørgaard and Midtjysk 3D Service. It is supported by The Danish Film Institute, the West Danish Film Fund, The Danish Arts Council, Danish Film Directors, FAF and the North Denmark Region.

Click here to read the full press release, and to find a list of all the selected projects.

News about the selection from the Danish Film Institute (in Danish)