We are so proud to announce that Monica Hellström, producer of The Distant Barking of Dogs and Forget Me Not is selected as one of the 20 participants for PRODUCERS ON THE MOVE 2020.
Read MoreTHE DISTANT BARKING OF DOGS NOMINATED FOR THE PRESTIGIOUS PEABODY AWARD /
We are very excited to announce that The Distant Barking of Dogs has been nominated for a Peabody Award!
Read MoreFINAL CUT FOR REAL LAUNCHES VIMEO-ON-DEMAND /
We are thrilled to announce that the greater part of our films is now available on Vimeo, ready to be watched from home.
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SONGS OF REPRESSION - WINNER OF MAIN COMPETITION AND CRITIC AWARDS AT CPH:DOX 2020 /
We are thrilled to announce that Songs of Repression, directed by Marianne Hougen-Moraga and Estephan Wagner, was awarded both the DOX:Award (main competition award) and the Politiken:Danish:Dox (critic’s award).
Read MoreFINAL CUT FOR REAL JOINS DIGITAL VERSION OF CPH:DOX 2020 /
Final Cut for Real is delighted to join the digital version of CPH:DOX this year with a collection of compelling titles!
The following three works will be presented both in and out of competition.
SONGS OF REPRESSION by Estephan Wagner & Marianne Hougen-Moraga
The film follows a small German colony in Chile that was once founded as a sectarian settlement and now operates as a beautiful tourist resort. It explores how the inhabitants have developed different narratives in order to cope with the grim and traumatic past.
See online here.
The film is selected for CPH:DOX main competition and Politikens competition for Best Danish Documentary.
MEANWHILE ON EARTH by Carl Olsson
When we die, there are still practicalities that need to be taken care of before our time among the living is finally over. The film is a patient and heartfelt portrayal of the Swedish funerary industry, filled with peculiar yet wholehearted rituals.
See online here.
LITTLE GIRL by Sébastien Lifshitz
A common myth is that trans identity manifests itself quite late, when in fact it starts to appear at a very early stage of life. Little Girl tells a story of a little boy, who refuses to be a little boy – to conform to what the sex he was born as expects from him.
See online here.
Don’t miss this chance – witness the world / hear from the filmmakers / get engaged with us!
Looking forward to sharing this with you!
'MEANWHILE ON EARTH' PREMIERE IN ROTTERDAM /
We would like to give a warm shout-out to Meanwhile on Earth by Carl Olsson, which will premiere at the International Film Festival Rotterdam tomorrow (January 23rd)!
Read More'THE DISTANT BARKING OF DOGS' WINNER OF TV-PRISEN'S BEST DOCUMENTARY /
We are thrilled and honored to announce that Simon Lereng Wilmont’s The Distant Barking of Dogs won TV-prisen for best documentary of the year.
Read More‘FORGET ME NOT’ NOMINATED FOR BOTH THE ROBERT AND THE BODIL AWARD /
‘FORGET ME NOT’ NOMINATED FOR BOTH THE ROBERT AND THE BODIL PRIZE
Read MoreMEANWHILE ON EARTH at GÖTEBORG FILM FESTIVAL /
Carl Olsson's MEANWHILE ON EARTH is selected for Göteborg Film Festival, where it is nominated for the Dragon Award Best Nordic Documentary in 2020.
Read MoreMEANWHILE ON EARTH selected for ROTTERDAM 2020 /
Carl Olsson's latest film Meanwhile on Earth will premiere at INTERNATIONAL FILM FESTIVAL ROTTERDAM 2020.
Read MoreFILMS AVAILABLE FOR SCREENING AT DRTV /
We are happy to announce that a selection of films produced by Final Cut for Real are now available for screening at DRTV. The films are listed below and accompanied by a link to DR’s website. Enjoy!
Content on DRTV can only be accessed in Denmark.
The Distant Barking of Dogs is director Simon Lereng Wilmont's first feature. It is set in Eastern Ukraine on the frontline of the war. The film follows the life of 10-year-old Ukrainian boy Oleg throughout a year, witnessing the gradual erosion of his innocence beneath the pressures of war. Through Oleg’s perspective, the film examines what it means to grow up in a war zone. It portrays how a child’s universal struggle to discover what the world is about grows interlaced with all the dangers and challenges the war presents.
Joshua Oppenheimer's Oscar nominated documentary The Act of Killing, explores the massive genocide that took place in Indonesia in the 1960s from the perspective of the perpetrators. The government of Indonesia was overthrown by the military in 1965, and more than a million people - communists, people of Chinese descent and intellectuals were executed. The movie is set in the city Medan on the island Sumatra. Here the filmmakers challenge the death squad leaders to dramatize how they participated in the genocide. The result is a surreal cinematic journey into the mass murderers ideas and fantasies about themselves and their victims. Simultaneously the movie presents us to a frightening and extremely corrupt regime, where the murderers have faced no judgement but instead are celebrated as heroes.
The Look of Silence, is a companion piece to The Act of Killing, The film follows a young optometrist as he attempts to bring the past into focus. The family discovers how their son was murdered during the Indonesian genocide - as well as the identity of the men who murdered him. The film documents the confrontation in the absence of any truth and reconciliation process, while the murderers remain in power.
Pervert Park by Frida and Lasse Barkfors, is a film about the people no one wants as a neighbour. It follows the every day life of the sex offenders in a Florida trailer park as they struggle to reintegrate into society, and gives us a chance to understand who they are and how the destructive cycle of sexual abuse and silence can be broken.
Death of a Child is Frida and Lasse Barkfors’ second film in a trilogy exploring social stigma. Pervert Park was the first. It is an exploration of the lives of parents who have caused their own children’s deaths. The film encompasses many different situations in life where tragedy hits and where someone is at fault, because of mistakes, accidents, neglect or mental illness. There is however something with what these parents have done that seem to trigger a specific social rage and condemnation. Because what kind of parent forgets a baby in a car?
Land of the Free, directed by Camilla Magid, is a moving portrayal of life after prison in the US. In South Central, Los Angeles, we follow Brian, a 42-year-old man, just released after having spent his whole adult life in prison. On his own, he must adapt to a modernised and changed society. He has to tackle the challenges of the Internet, getting a driver's license, and finding love. The film tackles hard hitting cultural issues and works to show the humanity in a deeply troubling environment where the prison industrial system often targets and holds back people of color.
Håbet bag hegnet / Les Sauteurs
Les Sauteurs, a film directed by Estephan Wagner and Moritz Siebert in collaboration with the film's protagonist Abou Bakar Sidibé, is ultimately a film about making a film. It is Abou's portrayal of the human struggle for dignity and freedom on one of the World's most militarised frontiers. In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them - the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.
'THE DISTANT BARKING OF DOGS' NOMINATED FOR TVPRISEN 2020 /
We are very proud to announce that The Distant Barking of Dogs is nominated for Tvprisen 2020. The film, directed by Simon Lereng Wilmont, is nominated in the category for Best Documentary along with nine other nominees.
Tvprisen is an annual event arranged by the Danish Producers’ Association. An award show where the TV-industry acknowledges and celebrates the best Danish TV-programmes of the year.
The 2020 awards will be presented on January 18th at Tivoli Hotel & Congress Center in Copenhagen.
FINAL CUT FOR REAL AT IDFA 2019 /
Once again Final Cut for Real will be well represented at IDFA – the following Final Cut for Real productions and co-productions can be found at IDFA 2019:
SCREENINGS
A Comedian in A Syrian Tragedy by Rami Farah will have its world premiere at this year’s IDFA and will have four screenings in total. It is an intimate portrait of the Syrian film and television actor Fares Helou, who is forced into exile after standing by the pro-democracy protestors in Syria, 2011. With his family he starts a new chapter in France full of questions, disappointments and alienation, but also of hope and cultural confusion that calls for laughter. The film is produced by Lyana Saleh for OSOR (France) and Signe Byrge Sørensen for Final Cut for Real (Denmark) in co-production with Cindy Le Templier for SHASHAT Multimedia Productions (Jordan) and Anita Rehoff Larsen for Sant & Usant (Norway).
SCREENING TIMES AND LOCATIONS
23/11 – 18:30 – at Munt 13 - w/ Q&A
25/11 – 17:30 – at De Balie - Grote Zaal - w/ Q&A
26/11 – 22:00 – at Brakke Grond Grote Zaal - w/ Q&A
30/11 – 10:00 – at Tuschinski 6
Purchase tickets here.
Furthermore, this year two Final Cut for Real productions are selected for Rough Cut Screenings at IDFA Sunday November 24.
The Art of Repression by Estephan Wagner & Marianne Hougen-Moraga focuses on a small German colony in Chile that has transformed a grim, sectarian past into a beautiful tourist resort. The filmmakers explore how the inhabitants have developed different narratives in order to survive 45 years of traumas. The film is produced by Heidi Elise Christensen and Signe Byrge Sørensen for Final Cut for Real.
I See for You by Cille Hannibal & co-director Christine Hanberg describes the challenges of being without all of your senses. Most people have five senses, but Peter only has three. Having lost both his sight and hearing as a newborn, his family must see and hear the world for him. The film is produced by Monica Hellström for Final Cut for Real.
ROUGH CUT SCREENINGS TAKE PLACE 24/11 AT TUSCHINSKI 5
The Art of Repression – 11:00-11:45
I See for You – 16:45-17:25
PLEASE NOTE: Only access with IDFA Forum pass
Final Cut for Real will be represented at IDFA by producers Signe Byrge Sørensen, Heidi Elise Christensen and Monica Hellström.
HUSH SELECTED FOR VR GAP FINANCING MARKET AT VENICE FILM FESTIVAL /
The VR piece HUSH (Danish title: Havfolket Kalder Mørknet Vand) has been selected for the Gap Financing Market at Venice Film Festival 2019 as one of 12 VR projects .
Read MoreTHE ACT OF KILLING & THE LOOK OF SILENCE IN 4TH PLACE ON INDIEWIRE'S LIST OF THE 100 BEST FILMS OF THE DECADE /
We are immensely happy and proud that Joshua Oppenheimer’s documentary films The Act of Killing and The Look of Silence shares the 4th place on Indiewire’s recent list of the best films of the 2010s.
Read MoreFLEE SELECTED FOR WIP PRESENTATION AT ANNECY ANIMATION FILM FESTIVAL 2019 /
FLEE, directed by Jonas Poher Rasmussen, has been selected for a WIP presentation at Annecy Animation Film Festival 2019.
Come and meet the team on the 14th June at 11.30 am in Salle Pierre Lamy!
'WHAT WALAA WANTS' SELECTED FOR SEATTLE INTERNATIONAL FILM FESTIVAL /
Christy Garland's film What Walaa Wants, following the life of young Walaa on the West Bank, is still going strong on the festival circuit, since it premiered at Berlinale in 2018. Now selected for the 45th Seattle International Film Festival in May 16 - June 9, 2019.
'PATRIMONIUM' WINS AWARD FOR ARTISTIC EXCELLENCE IN MOSCOW /
Carl Olsson's Patrimonium has received an award for “Artistic Excellence” from The Russian Documentary Film and Television Guild at the Moscow International Film Festival. Congratulations to Carl and the whole team!
'WHAT WALAA WANTS’ WITH MORE FESTIVAL SELECTIONS /
Christy Garland's WHAT WALAA WANTS continues to travel around the world, and next stop will be DocsBarcelona that runs 15th - 25th of May.
In April WHAT WALAA WANTS was screened at Magnificent 7 festival in Belgrade, Serbia. The festival has a very exclusive programme of only seven carefully selected films, and screening only one film per day, in a cinema with 1300 seat. Each screening is followed by a masterclass the following day.
In March, WHAT WALAA WANTS was at at One World International Human Rights Documentary Film Festival in Prague, and at Tempo Documentary Festival in Stockholm, the largest documentary festival in Sweden.
'PATRIMONIUM' SELECTED FOR MOSCOW INTERNATIONAL FILM FESTIVAL /
Carl Olsson’s Patrimonium is selected for the prestigious Moscow International Film Festival. The festival takes place between the 18th – 25th of April.
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